14 December 2017
Rosa Liksom’s The Colonel’s Wife (Everstinna) is one of eight titles on the shortlist for 2018’s Runeberg Prize. The prize is named in honour of Finnish national poet Johan Ludvig Runeberg (1804-1877) and is awarded annually on his birthday, 5 February. The Runeberg prize is currently endowed with 10,000 euros.
The Colonel’s Wife has currently sold over 24 000 copies in Finland and it is so far sold to eight territories.
Elisabeth Åsbrink’s 1947 has been picked as one of the best non-fiction titles published in the UK in 2017 by daily newspaper Metro. Anthony Cummins writes:
“From Sweden comes this globe-trotting factual narrative tracing the poisonous fallout from World War II with novelistic flair. With a reporter’s nose for detail and a crime writer’s sense of pace, Åsbrink’s account revisits contemporary hotspots from post-Raj India to British-ruled Palestine while tracking a star-studded cast including George Orwell (at work on Nineteen Eighty-Four) and Billie Holiday, arrested on drugs charges in New York.”
21 November 2017
Niels Fredrik Dahls latest novel (the first in eight years), just published in Norway, has been met with unanimously praising words by Norwegian press. As one critic puts it ”Mother by Night is a novel that leaves the reader sitting at the kitchen table all morning, breakfast untouched. All the way until the conclusion.” This week rights have been sold to Natur & Kultur, Sweden and Gyldendal, Denmark.
Examples of quotes from the press:
“Wise and moving … Niels Fredrik Dahl has written a raw yet beautiful story about an author and his mother … Whether the journal entries and other events are authentic or not is irrelevant; Dahl makes one believe it, and the mother’s despairing text becomes a trembling red thread throughout the book … Dahl is at his best when relating the inner struggle of the main character. Alcoholism, writer’s block and infidelity are portrayed in an unadorned, raw and painful style … clear, powerful and distinctive prose”
“Mother by Night may very well be Niels Fredrik Dahl’s strongest novel to date … Increasingly often, novels take us into to the very core of relationships, whether pure fiction or on the semi-biographical field. A reader may think that there must soon hardly exist more takes on the subject. Then along comes Niels Fredrik Dahl and makes it gleam as if it was utterly new … The low-key sentences are ostensibly simple and can contain compassionate insight, contempt and despair all at the same time, but also great love – some of them so beautiful that the reader must pause for a moment before carrying on reading … Mother by Night is a novel that leaves the reader sitting at the kitchen table all morning, breakfast untouched. All the way until the conclusion.”
NRK P2 (Norway)
“A fragile son, a melancholy mother, an urge for intoxication. A relationship. In his first novel in eight years, Niels Fredrik Dahl writes musically about the nocturnal sides of mankind … Dahl writes sorely and openly, and at the same time with distinct finesse, about the relationship’s ambivalence. About all that which could never be expressed when the mother was alive … It tears at the heart. The patterns he perceives, yet is incapable of changing … The nuances of it, the games, the communication. The great loneliness that envelopes people. Including those who should be close. Particularly those who should be close … It is easy to read Mother by Night as an autobiography, and shroud it in so called reality. But it is not a novel that needs it.
“In Niels Fredrik Dahl’s stirring novel, only death is capable of repairing broken love … The intimate exposition is nonetheless tenderly treated; the substance distilled into sensitive literature. It is love, not hate and aggression, that makes this account possible … It is eight years since Dahl published his last novel … With Mother by Night he once again proves that he belongs among the authors one should read”
13 November 2017
Mikael Persbrandt has been swamped with offers to write an autobiography. Numerous publishers, journalists and authors have long dreamed of publishing the story of the celebrated, talented and scandal-beset actor.
With great generosity, eloquence and courage Mikael Persbrandt finally shares his story of life’s endless struggle. Not only a literary work of finest quality, Mikael Persbrandt is the personal account of someone that many mistakenly believe they know quite well. Now, he tells it from his perspective, and it is one we all can learn from.
Mikael Persbrandt’s memoar, penned by Carl-Johan Vallgren in collaboration with Mikael Persbrandt, was published 10 November 2017 by Albert Bonniers.
“To hold your life between your fingertips in the form of a manuscript is a peculiar experience; solemn yet necessary. Although I regret nothing, many tears have been shed.” Mikael Persbrandt
On May 10th 2016 Hedlund Agency invited Mikael Persbrandt to breakfast on Södermalm and introduced him to Carl-Johan Vallgren. August Prize winner (The Horrific Sufferings of the Mind-Reading Monster Hercules Barefoot, 2002), bestseller and published in 25 languages, Carl-Johan is not only one of Sweden’s foremost authors, but also a down-to-earth, hard-knock-educated man with the rare characteristic of possessing both panache and humility. Two extraordinarily gifted individuals came together and something clicked. Mutual respect arose.
In September 2016, after Mikael and Carl-Johan had met a few times, two chapters were delivered. At Hedlund Agency, we read and realized this would be big. Carl-Johan had captured Mikael’s voice. We approached Abbe Bonnier (Bonnier’s nonfiction publisher-at-large), proposed a meeting, and saw him the very next day. After a review of the chapters, the book immediately found a home at Albert Bonniers Publishing House. Now, one year and approximately one hundred hours of interviews later, Hedlund Agency and Albert Bonniers are proud to present the Mikael Persbrandt’s biography, written by Carl-Johan Vallgren, in collaboration with Mikael Persbrandt.
A revealing tale
The book opens in Nepal in the spring of 2016, during a UNICEF assignment to which Mikael had brought along his young son. It’s evening and Mikael is observing his sleeping child; a moment of serenity:
And so my life flashed before my eyes: my childhood in Jakobsberg, the symbiotic relationship to my mother, my teenage years, early adulthood, the long journey to theater and film. And then, when I had reached the summit: the heavy fall.
Once upon a time I had asked UNICEF to send me to war zones – perhaps because I yearned to see some kind of reflection of myself. But that yearning had passed. I had come to peace with myself. And, ultimately, I didn’t regret much. True, I had caused misery and disasters, but I had also experienced things that most people couldn’t even dream of. If nothing else, I wouldn’t die curious.
I thought a lot about the concept of regret during those nights in the foothills of the Himalayas. What purpose did it serve? If I couldn’t forgive myself, what point was there in others forgiving me? I couldn’t make my life undone.
All I could hope for was that one day, my story would help others. For life, itself, I couldn’t undo.
2 November 2017
Elisabeth Åsbrink has been awarded the 2017 Freedom Pen Prize by the Torgny Segerstedt Foundation.
Since its establishment in 1996, the Torgny Segerstedt Foundation has annually awarded The Freedom Pen to a communicator working in the spirit of Torgny Segerstedt. Earlier recipients of the prize include Astrid Lindgren, Eva Moberg and Tom Alandh.
Elisabeth Åsbrink is an author and journalist with a background as a reporter and editor at Sveriges Television (SVT). She has published the books: “Smärtpunkten” (2009), “Och i Wienerwald står träden kvar” (2011), and “1947” (2016). Elisabeth Åsbrink is also active as a dramatist and has written the dramatic works, “Räls”, “Pojken och det sjungande trädet”, “Dr Alzheimer” and “Perkins”.
A large part of Elisabeth Åsbrink’s journalism and authorship focuses on human rights, democracy, and tolerance. She also participates extensively in social debate, and has been the Chairperson of Swedish PEN since 2017.
Elisabeth Åsbrink is awarded the Prize on the basis of the following:
“With her skilfully formed narratives, non-fiction texts, and drama, Elisabeth Åsbrink has created an echo chamber, in which European post-war conflicts, the consequences of which we are still confronting today, resound across the divide of time, and where the deeply personal becomes accessible and important to us all. For this reason Elisabeth is awarded the Torgny Segerstedt Freedom Pen for 2017.”
Torgny Segerstedt (1876-1945) was a Swedish communicator and religious historian, who above all has been remembered for his courageous and determined struggle against Nazism.
Photo: Eva Tedesjö
Estonian rights sold to Tammerraamat OÜ
German rights sold to Rowohlt
Polish rights sold to Sonia Draga
Czech rights sold to Albatros Media
Hungarian rights sold to Metropolis Media Group Kft