The Magic Latern
ORIGINAL TITLE: Laterna Magica
AUTHOR: Ingmar Bergman
ORIGINAL PUBLISHER: Norstedts
GENRE: Special Projects
Bergman’s first autobiography is a hugely revealing and honest piece of writing. ‘Honest’, however, doesn’t necessarily mean ‘truthful’. It serves as an interesting testimony, and as a literary piece of work it is genius.
Dubious as a ‘document’; masterful as literature, the book has a non-chronological structure, with altering chapters on childhood, theatre work, the tax affair in 1976, marriage crises, teenage summers in Nazi Germany, encounters with artists like Laurence Olivier, Greta Garbo, and Herbert von Karajan. Despite the title, the book contains little information on Bergman’s filmmaking.
“I’m planning, you see, to try to confine myself to the truth. That’s hard for an old, inveterate fantasy martyr and [illegible] liar who has never hesitated to give truth the form he felt the occasion demanded.” (From an early draft.)
Azerbaijani rights sold to Alatoran
Danish rights sold to Gyldendal.
Finnish rights sold to Otava
Georgian Rights sold to Bakur Sulakauri
Italian rights sold to Garzanti
Russian rights sold to AST Publishers.
Simplified Chinese rights sold to Beijing Imaginist (via Grayhawk Agency)
Ukrainian rights sold to Staroho Leva